Architect Ray Kappe at his home in Pacific Palisades in 2007. | Photo by Richard Hartog/Los Angeles Times via Getty Images

During a career that spanned decades, Kappe designed more than 100 stunning residences and, as an educator, transformed the Los Angeles design world

Ray Kappe, one of LA’s most influential modernist architects and founder of the prominent architecture school SCI-Arc, has died.

The school’s spokesperson, Stephanie Atlan, confirmed the death. He was 92.

“The world of architecture would not be what it is without him,” SCI-Arc director Hernán Díaz Alonso said in a statement. “His legacy as an architect, city planner, and educator is absolutely unparalleled.”

During a career that spanned decades, Kappe designed more than 100 stunning residences, many of them tucked into LA’s canyons and hilltops. A progenitor of the post-and-beam style that would come to define California modernism, Kappe employed textures and materials borrowed from LA’s natural surroundings, marrying the region’s warm Craftsman aesthetic with the glass and steel of the modernist movement.

“He had a very quiet dignity, and that was reflected in his personality—and in his work,” said Linda Dishman, president of the Los Angeles Conservancy. “He used materials in a way that let them speak for themselves. He used a lot of wood, a variety of textures of wood, as opposed to stucco or brick that other architects of that same period used.”

© J. Paul Getty Trust. Getty Research Institute, Los Angeles (2004.R.10)
A late 1960s photo of Kappe’s house taken by Julius Shulman.

Born in Minneapolis in 1927, Kappe grew up visiting parks, lakes, and national parks, according to the conservancy. He and his family moved to Los Angeles in 1940, and he developed a deep understanding and appreciation of LA’s light—and how to capture it, Díaz Alonso said.

“His view of modernism was… much more based on a human dimension and observation,” Díaz Alonso said. “It had a level of coziness, a level of humanity, a level of everyday life. It was a different breed of modernism.”

Kappe’s best-known work was perhaps his own home, a breathtaking masterpiece he completed in 1967. The 4,000-square-foot home, which was named a city of Los Angeles landmark, straddles a creek on a Rustic Canyon hillside in the Pacific Palisades neighborhood.

Kappe and his wife Shelly graciously welcomed visitors into their home, ranging from classes of architecture students to curious design fans who gathered the courage to knock on the door, ushering them onto the living room’s blue-upholstered seating, also designed by Kappe.

Visiting it was a “transformative” experience, said Díaz Alonso. The conservancy hosted a tour of the home a few years back, and people still talk about it, Dishman said.

“The house still seems to touch most people… at the time it was built the house served as an inspiration for aspiring architects and I hope that those who experience it today have a similar response,” Kappe told the New York Times in 2004.

© J. Paul Getty Trust. Getty Research Institute, Los Angeles (2004.R.10)
A 1973 photo of Kappe’s Gertler house in Santa Monica by Julius Shulman.

© J. Paul Getty Trust. Getty Research Institute, Los Angeles (2004.R.10)
Kappe’s Tempo House photographed by Julius Shulman.

Kappe’s impact as an educator also transformed the role that Los Angeles played in the architecture industry. After founding the architecture department at Cal Poly Pomona, Kappe left the university in 1972 to start a new type of school for architects.

Gathering a group of teachers and students including Thom Mayne, Jim Stafford, Glen Small, Ahde Lahti, and Bill Simonia, Kappe opened SCI-Arc, an independent, experimental architecture school, in Santa Monica. The school later moved to Downtown LA’s Arts District where it has become an important civic anchor for a changing neighborhood. It is considered to be one of the most influential architecture schools in the world.

“He and a group of outlaws decided to challenge the status quo of what was architectural education, and changed the world of architecture forever,” Díaz Alonso said. But, he added: “Ray was the really the one with the vision.”